Film slows me down. Each frame has a cost, so I look longer, think harder and press the shutter with intention. The grain and colour feel organic in a way I struggle to recreate digitally. And there is nothing quite like opening a fresh envelope of prints. I still shoot digital for work, but film keeps me honest.

Street photography begins with curiosity. Walk slowly, keep your camera ready and learn to anticipate moments before they happen. Look for strong light, interesting backgrounds and gestures that tell a story. Be respectful, smile, and never stop a moment just to take a picture. The best images often appear in the most ordinary places.

Good editing should feel invisible. I start with exposure and contrast, adjust colour gently, and stop before the picture starts to look processed. A consistent look across a series matters more than any single dramatic edit. Save your favourite settings as a starting point. When in doubt, leave it alone.

After years of buying and selling equipment, my bag is now small: one camera body, two lenses and a sturdy tripod. The best camera is the one you enjoy carrying. Lighter kit means more walks, and more walks mean more pictures. Here is why each piece earned its place.

Window light is a portrait photographer's best friend. Place your subject at a slight angle to the window and watch the shadows model the face. Use a white card or a piece of fabric to bounce soft light back into the shadows. Keep conversation going to keep expressions natural. Simple tools and patience produce timeless results.